Makee: Keck ESI Observing Strategies

Last update for this page is November 2000.

  • Binning, Gain, and Dual Amp Readout:    With ESI, binning 1x1 and a dual amp readout is usually used. Three advantages to a greater binning would be: (1) lower readout noise per binned pixel (but the sky Poisson noise dominates the background noise for most of the orders); (2) faster readout (but it is already fairly quick, about 30 seconds); (3) smaller files (but disk space is greater cheaper and faster). So, it is recommended you stick with 1x1 binning. Also, as of now (November 2000), MAKEE only works with 1x1 binning for ESI.

    For faint objects, use the high gain setting (fewer electrons per digital number). This will sample the readout noise better, although it limits your dynamic range somewhat. Low gain is sometimes used for very bright objects. However, you should probably stick to the same gain during your run.

    For ESI, the electrons per digital number (eperdn) is set according to ./makee/eperdnESI_higain.dat (eperdn=0.50) or ./makee/eperdnESI_logain.dat (eperdn=1.29). The readout noise is set according to ./makee/ronoiseESI.dat (ronoise=2.7 electrons). You can override these values by editting these files, or giving "eperdn=" or "ronoise=" on the MAKEE command line.


  • Flat field (quartz lamp):    Ideally the total quartz lamp counts at any position in your spectral range should be much higher than the count rates in your object spectrum. This may require several exposures to be taken for each setup. Usually you will take exposures of 2-6 seconds (depending on slit width) each with the internal flat in echellete mode. Unfortunately, you get relatively few counts in the bluest echelle orders. You may want to saturate the reddest orders on a few additional exposures to try to get enough counts in the blue, however, as of now (November 2000), there are no MAKEE programs (yet) to mask out the saturated orders.

    Fringing is significant with ESI, but fortunately the fringes do not move much with elevation thanks to a compensating system. One set of flats for each slit width per observing run should be adequate, although you may want to take these at a telescope elevation similar to most of your observations, rather than in the telescope stowed (elevation zero) position.


  • HgNe+Xe and CuAr (arc lamps):    You must take at least one HgNe+Xe (about 4s) or CuAr (about 300s) exposure during your observing run. It is recommended that you take arclamps a few times during the night, perhaps for each object. An arclamp for each slit width may also be a good idea, although probably not critical. MAKEE does the wavelength calibration by using a template calibration and determining a pixel shift as a function of column number. This pixel shift function may depend upon telescope elevation (and Position Angle?) with amplitudes on the order of half a pixel.

    Note that a Xe exposure will work in place of a HgNe+Xe, or if you take separate Xe and HgNe exposures you can add the raw exposure files together using opim .

    The night sky lines are used for an overall pixel shift for each object exposure, but the column depedency requires an arclamp exposure. CuAr has more lines than Hg+Xe, but the most of the lines occur in different orders. Taking both types is optimal, although one of either is probably adequate. The accuracy of the wavelength calibration for ESI is about +/-0.2 pixels (1x1 binning).

    You can take Hg and Xe individually, although this is probably not necessary. In any case, MAKEE can handle only two ESI arclamps (total) at a time.


  • Bias (short dark):    It is probably not necessary to take a short dark during your run. By default, MAKEE uses an old template pattern for the short dark or bias pattern. However, it is still a good idea to take a couple short darks during your run, even if you don't plan to use it in your reductions (just in case the bias pattern changes).

    The long dark pattern is believed to be negligible.


  • Trace "star":    You need at least one bright point source exposure in order to define the echelle order pattern on the CCD. If you have a bright object with no large absorption lines, you can use the object itself to define the trace function. Otherwise, you should take a bright star exposure for each setup at some time during the run. This need not be next to the object exposure.

    You can also use a pinhole quartz exposure to define the trace function. This avoids having to take a star exposure and should may work just as well as a star. However, a bright star is still recommended-- bright blue stars are best in order to define to trace in the bluest orders. See the recommended standard star list: Standard Star List .


  • Standard stars:    Accurate flux calibration is generally difficult with echelle spectrographs. With HIRES, it appears to be very difficult. With ESI, I do not have enough information at this time (November 2000) to know how difficult flux calibration might be. Hopefully, there will be a MAKEE routine for flux ESI flux calibration in the not too distant future.

    Here is a list of "good" ESI standard stars: standard star list . A 100 to 200 second exposure is usually adequate for these stars. For more on flux calibration, see: flux calibration.


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